Here's a Bad Idea: Mandated Styles for Federal Buildings
Architecture shouldn’t just strike poses.
—by Michael Roehr
The neoclassical United States Capitol / photo by László Magyar
Amid all the chaos emanating from the new administration, architects nationwide are bracing for another battle: President Donald Trump’s threatened classical-only mandate for federal buildings. This looming decree pits Trump’s neo-classical nostalgists (who seem to believe slapping columns on everything magically creates timeless architecture) against those who understand that meaningful design emerges from wrestling with contemporary challenges.
While neo-traditionalists pine for an idealized past that never actually existed, serious designers recognize that architecture must authentically engage with today’s materials, technologies and social conditions — rather than retreat into costume drama. This brewing conflict isn’t merely aesthetic. It represents fundamentally different conceptions of how architecture should serve and preserve society’s past, present and future.
Here’s the thing about historic preservation: It’s not about freezing buildings in amber like prehistoric mosquitoes. Good preservationists understand that buildings, like the societies that built them, aren’t static. They recognize that the Parthenon was cutting-edge in its day — not some retro throwback. When we thoughtfully restore or adapt historic structures, we’re honoring their innovative spirit, not just their superficial stylistic peculiarities.
Façade detail of the National Museum of African American History / Kelleher Photography / Shutterstock.com
Meanwhile, thoughtful contemporary design speaks authentically to our moment. Take the National Museum of African American History and Culture, for example. That building isn’t trying to be something it’s not. It’s having a respectful conversation with its National Mall neighbors while boldly expressing its unique purpose. No powdered wigs or knee breeches required.
Then there’s simplistic historicism — architectural cosplay that misses the point entirely. People who fall in this camp seem to think slapping pediments and gilt-covered nonsense on a building magically imbues it with classical virtue. But Thomas Jefferson himself was constantly tinkering with classical forms, adapting them for American materials and needs. He was an architectural hacker, not a slavish copycat.
Mandating a one-style-fits-all approach to federal buildings makes about as much sense as requiring all government employees to communicate via quill pen. A courthouse in Phoenix has different needs than one in Boston. Architecture should solve problems, not just strike poses.
The upshot? Architects are thoughtful, trained professionals. We know what we’re doing. The issues involved here go way beyond issues of taste and preference. There is simply a right way and wrong way to use history in the design process:
Former Minneapolis Federal Reserve Bank, Marquette Plaza / WorldFoto / Alamy Stock Photo
• True historic preservation honors innovation, not just aesthetic styles.
• Authentic contemporary design creates honest dialogue with history while addressing modern needs.
• Simplistic historicism reduces architecture to superficial mimicry without understanding original context.
• Mandating specific styles misunderstands how classical buildings were revolutionary for their time.
• Architectural diversity better reflects democratic values than stylistic uniformity.
• Context-specific solutions produce better buildings than blanket-style mandates.
Our architectural legacy deserves buildings that honestly reflect both where we’ve been and where we’re going — preserving our values of diverse design and honoring the people who got us there.
As published in the Minnesota Star Tribune, 3/20/2025